“She was asking to take down the bronze statues. …Well please don’t concern yourself with it, traveler…. More than that, let’s return to our stories.”
[Kino takes the opportunity to slowly stand up.]
I'd love to, but... I think I've learned a lot about your history already. Thank you for taking the time to explain it to me. Next, we would like to tour the country on our own. Is that alright?
[Their tone is polite and mild enough that the chief nods eagerly.]
“Oh... yes, of course! By touring the country, you'll be able to see exactly what I mean by the high yield our country boasts. Please, take a look around!”
[Still smiling politely, they look over at Cobalt, and then at the door. Time to scram.]
[They wheel Hermes along with them as they walk, nodding at the bronze statues forming a long line across the main road.]
Those. It seems that all chiefs who do something incredible get a statue erected in the center of the road. Naturally, the chief now is trying to get one for himself, too.
“Well, first I should say... Welcome to my house. I’m Nimya, Nimya Tchuhachkova. Nice to meet you.”
“Hello. I’m Kino, and this here is my partner, Hermes.”
Nimya half-opened the door to the warehouse and invited Kino and Hermes inside.
The interior was dark, humid, and reeked of machine oil.
“Now I’ll answer your question. I want to turn the main road into a long, straight path. That’s why the bronze statues have to be moved,” Nimya explained.
Still doubtful, Kino asked. “What for?”
“It’s… for this.”
At the same time, Nimya pressed a switch in her hand. The lights hanging from the ceiling slowly lit up, and ventilation fans also started to run.
There was a transport crane dangling from the ceiling. The floor was lined up with various construction machines, and one corner of the room was littered with a mountain of scrap metal. There were several desks cluttered with documents. There were also a number of bicycles hanging side-by-side in one corner.
And at the center of the warehouse was a silver machine.
Roughly the size of a truck, it had a body like that of a fish with its streamlined form and dorsal and tail fins. At its tail end was a device that looked like a three-bladed fan, and arranged symmetrically on its sides were two panel-like protrusions, the span of which was longer than the machine’s overall length. And below these protrusions were two legs that had tires at the end.
“What… is this thing?” Kino asked after trying to figure it out for a while.
“It doesn’t have a name yet, but…” Nimya turned to Kino and Hermes. Then she declared with a bold yet beautiful smile, “With this… I will soar to the skies!”
There was the sound of a film roll coming to an end. And so, your character finds themself in the warehouse, free to examine the machine - or listen in on the conversation regarding this apparent flying machine.
“If you hold a plank horizontally against the wind, nothing will happen, right? But if you place it at an angle, even if it’s only a little, a force that moves the plank forward and upward is generated. The same idea is in effect when you raise your head while riding a bicycle, causing your hat to fly off. So using this concept, if you attach an angled plank to an object – it doesn’t have to be a bicycle – and let it run at a particular speed, it will be lifted to the air by the plank. And that object should be able to fly.”
How... nicely thought out.
[Kino seems unconvinced.]
“I guess. But I haven’t had the chance to test out this machine yet. For it to fly, I need a long, flat, and perfectly straight road. No other place could meet those conditions inside or outside this country, except for that road. But those bronze statues are in the way. I’ll do whatever it takes to have them moved!”
[cobalt kind of feels like the doorway that showed the ramp going over the top of the statues was kind of a giveaway about what the solution to this problem wound up being.]
[He's not really sure if he should say anything or just let kino take the credit for that idea, as nature intended]
I wasn't there for the conversation, but I'm guessing the mayor is so proud of himself and the heritage that he won't consider moving the statues... even though having an airport here would draw a lot of travelers...
We have airships back home that look much weirder than that. There are some shaped like breadboxes, or boats, or are round like balloons, have wings on either side like a bird.
This thing looks squarely within the realm of potential airship shapes, I would think.
At that moment, a car’s engine was heard from outside followed by a violent rapping at the entrance.
“Nimya Tchuhachkova. Please open the door. It’s me.”
It was the chief’s voice. Nimya clicked her tongue and pressed the switch beside the desk. The warehouse shutters opened, allowing the sunlight to get in. Footsteps of more than ten people, led by the chief, came in.
“Good afternoon, Chief. For you to pay me a visit… could it be that my appeal was already approved?”
“Of course not. …Oh, traveler, how come you’re here?”
“I invited them out for tea and told them my story. I’m just welcoming our honored guest, am I not allowed to do so?”
The chief made a sullen face, but finally calmed himself after some effort.
“Nimya. There is something I would like to tell you.”
“And what would that be?”
“All citizens are free to do anything they want as long as they don’t commit crimes or create trouble for the community. However, this country’s council has decided that you shall no longer be allowed to waste time and money on this ‘flying machine’ and other worthless matters.”
The chief delivered his speech with a dignified and deliberate tone. Nimya only glared back, though not impolitely, and gave a curt reply, “It’s not ‘worthless’. That’s all I have to say.”
Kino and Hermes could almost hear the molars of the chief grinding in frustration.
A middle-aged man spoke up. “Chief. It’s no use no matter what you tell her. This woman has gone crazy. Just look at this weird machine.”
“Don’t you dare touch it!” Nimya gave a piercing shriek to the man who tried to approach the machine.
Kino stands back as Nimya shrieks at the people approaching the machine, watching impassively - but your character certainly isn’t bound to stay still if they want to take action.
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[Kino takes the opportunity to slowly stand up.]
I'd love to, but... I think I've learned a lot about your history already. Thank you for taking the time to explain it to me. Next, we would like to tour the country on our own. Is that alright?
[Their tone is polite and mild enough that the chief nods eagerly.]
“Oh... yes, of course! By touring the country, you'll be able to see exactly what I mean by the high yield our country boasts. Please, take a look around!”
[Still smiling politely, they look over at Cobalt, and then at the door. Time to scram.]
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[He follows Kino outside]
What were those bronze statues he was talking about?
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Those. It seems that all chiefs who do something incredible get a statue erected in the center of the road. Naturally, the chief now is trying to get one for himself, too.
[They look around, idly...]
I wonder where that woman went...
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She might have gone back to the warehouse down this way. That's where she came from, anyhow... There's a warehouse with an airship in it.
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[In the tone of someone unfamiliar with the word.]
Could you show me? ...I think Hermes fell asleep.
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—Er, sure. It's down this way.
I'd like to talk to that lady again, too.
[PLEASE... LET HIM RIDE THE AIRSHIP....]
[He'll lead Kino back to the warehouse]
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"-Huh? Oh! Both of you decided to come?"
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You okay? Kinda seemed like your talk didn't go so well.
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"I'll be fine. The chief's just stubborn as always. But more importantly..."
[She grins, proud.]
"I bet you're curious, right? Why I keep asking the Chief to move those statues."
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How come?
[his eyes are sparkling a little]
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There was the sound of a film roll coming to an end. And so, your character finds themself in the warehouse, free to examine the machine - or listen in on the conversation regarding this apparent flying machine.
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[he listens in eagerly, of course]
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“If you hold a plank horizontally against the wind, nothing will happen, right? But if you place it at an angle, even if it’s only a little, a force that moves the plank forward and upward is generated. The same idea is in effect when you raise your head while riding a bicycle, causing your hat to fly off. So using this concept, if you attach an angled plank to an object – it doesn’t have to be a bicycle – and let it run at a particular speed, it will be lifted to the air by the plank. And that object should be able to fly.”
How... nicely thought out.
[Kino seems unconvinced.]
“I guess. But I haven’t had the chance to test out this machine yet. For it to fly, I need a long, flat, and perfectly straight road. No other place could meet those conditions inside or outside this country, except for that road. But those bronze statues are in the way. I’ll do whatever it takes to have them moved!”
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[He's not really sure if he should say anything or just let kino take the credit for that idea, as nature intended]
[he just keeps listening for now]
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...Sure. I wouldn't mind that.
[Looking over to Cobalt, any objections?]
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Yes, please.
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[In the meantime, Kino's going to wander over and take a look at the machine for themself. Do as you will, Cobalt!!]
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[He'll hang out with Kino, though, because that's also a thing he enjoys doing.]
What do you think?
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I'm... not sure I believe it can really fly, but it sounds interesting.
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Even if it doesn't work the first time, she seems determined enough to keep trying.
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I wasn't there for the conversation, but I'm guessing the mayor is so proud of himself and the heritage that he won't consider moving the statues... even though having an airport here would draw a lot of travelers...
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[A nod at the flying machine.]
being able to fly.
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We have airships back home that look much weirder than that. There are some shaped like breadboxes, or boats, or are round like balloons, have wings on either side like a bird.
This thing looks squarely within the realm of potential airship shapes, I would think.
[as if he knows anything!!!]
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Kino stands back as Nimya shrieks at the people approaching the machine, watching impassively - but your character certainly isn’t bound to stay still if they want to take action.
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1/2
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1/3
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