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Shrike's Heart (#4)
It's not quite a happy smile.
"I'm sorry," she says. "There's just nothing I can do, as things are. But the way is there; it just needs to be lit."
You open your mouth—maybe to say something, or to express confusion—but you have to cough, and taste something metallic, spattering black blood onto the ground in front of you. Then you realize—blood seeps from opening wounds in your arms, your chest, your stomach, your face. It rims your eyes and trails from your nose and you feel like you're dissolving—
—and you fall through the ground like it's the surface of a lake, and go down, down, down.
> Wake Up
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[Maybe she should go and take a look inside one?]
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The rest of the room is filled with artifacts—lost dolls, dried flowers, notebooks, keepsakes, roughly sorted into piles. Pinned to some of them are notes that seem like names, though most of them bear question marks. ]
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...What's going on in here?
[He's going to be nosy and read some of the notes. Whose names are these? What's this notebook? etc]
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[Checking out the shrines now]
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Another is of Kohime from BARiTONES, which seems to have received an offering that's just a stack of knives.
A third is of BARiTONES's Alexander, who has received a paper lantern that glows from being lit by a candle.
There are two more of unfamiliar people; one, a soldier in piecemeal armor who has received an offering of a broken sword tied together with white string, and another, a dark-haired man, looking unwell, dressed in simple clothes; his shrine has a child's doll (or a doll of a child). ]
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Kohime and Alexander, too, huh? Hmm.
Is there any incense he could light, or something else he could use to make an offering?]
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Shrike, if you can hear me...
...This place is hard, isn't it. Even when we've finally escaped our personal wars and nightmares, we find ourselves in this place that gives us people to care about, just so we can be forced to hurt them later. It's hard, and that pain is real, and your grief is understandable.
I hope, with time, your burden eases. I hope the people you grieve for have forgiven you, and even more than that, I hope you're able to forgive yourself.
May you all find peace.
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With that, he's about ready to move on. Clearly this house is important, so if there's anything he can tidy up while Wednesday's sewing the doll, he'll do that.
Once she's ready, they'll head out into the field together.]
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[What do they look like?]
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[Yes, okay - the village is on fire. This particular house, however, seems safe enough. She sits on the floor and carefully sews up the rip in the doll's neck. It's a quick enough job - a fairly small and straightforward repair. Is it damaged anywhere else? Since she's here, she might as well make sure the job's done properly. Either way, she's going to tidy it all as best as she can.
[If it's fixed, is there a nice place to set it?
[Could she put one of the dried flowers in its hair?]
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[Is there anything else that needs fixing...?
[If not, maybe she should put some of the other dolls with it, so they can be together.]
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[She's going to select a few to take with her and see if she can patch them up later. Cobalt probably has other things he wants to do, so she selects three of the nicer, but still sadly worn things with her, along with the needle and thread, just in case there's any more down time she can use to make a bit more progress.
[She pats the first doll on its head before going to join Cobalt by the door.]
Sorry, sorry...! I guess I got caught up in it.