Entry tags:
Shrike's Heart (#4)
It's not quite a happy smile.
"I'm sorry," she says. "There's just nothing I can do, as things are. But the way is there; it just needs to be lit."
You open your mouth—maybe to say something, or to express confusion—but you have to cough, and taste something metallic, spattering black blood onto the ground in front of you. Then you realize—blood seeps from opening wounds in your arms, your chest, your stomach, your face. It rims your eyes and trails from your nose and you feel like you're dissolving—
—and you fall through the ground like it's the surface of a lake, and go down, down, down.
> Wake Up

Re: THE BATTLEFIELD
oh. well. hurries over, pulling the knife out of his skirts where he had hidden it earlier and throws it at Crow's back. he's not exactly skilled at that, relying more on natural dexterity, but what he is good at is misdirection: trying to make it seem like the attack is coming from another angle than where he actually is.]
Re: THE BATTLEFIELD
between both of your extremely sick stunting, you catch him by surprise—not least because he didn't expect the revenge of Persephone SensitIV. Griffin grazes Crow, but Persephone's knife lands true, lodging itself in his back—
...he staggers, a trail of blood spilling from his mouth, and wheezes in what, somehow, sounds like a laugh. He's still laughing.
you both gain +1 WILLPOWER. ]
Re: THE BATTLEFIELD
-- Why does this keep happening?!
Re: THE BATTLEFIELD
Allow me the honor of serving as her substitute, then!
[ She vaults around the staff of her glaive, sending herself into a low whirling kick that chases the dusty ground up into a swirl of ash.
There's no pause in her motion as she moves the blade in a flurry of attacks, unfolding like the petals of a blossom. The strikes knock him up from the ground, meant to keep him off-balance. ]
Re: THE BATTLEFIELD
[Oh, are we air-comboing a man now? Griffin can get behind that.
He leaps up into the air, opens up Crow with a string of vicious slashes, before spinning in a living, vertical buzzsaw, cleaving him over and over and over until they both slam into the earth.]
Re: THE BATTLEFIELD
maybe this place doesn't actually want him to win.
the glaive slices through his light armor, rendering it nearly useless; he slashes back, but it's only a shallow wound. he's on the defensive, and realizing he's outnumbered.
he manages to roll out of the way of Griffin, Buzzsaw of Death, but still gets clipped, his tunic opening up in a sea of red gashes. he's clearly weakening, but this seems to egg on his bad personality. ]
Come on, come on! This is great! Why let it stop with me, if you're like that? It never stops, anyway. Blood begetting blood begetting blood—
Re: THE BATTLEFIELD
Re: THE BATTLEFIELD
maybe there isn't much he can do, but there is something he can do to make this better. a better world, without this violent man in it, and one more step towards-]
Re: THE BATTLEFIELD
You all seem to have this pretty handled and that is going to be one very dead man.
While everyone is busy he's going to go try to open the door to the mansion. ]
Re: THE BATTLEFIELD
Re: THE BATTLEFIELD
[ Are there any windows he can reach? He's going to try something. ]
Re: THE BATTLEFIELD
Re: THE BATTLEFIELD
Can't believe this is how I'm going to end up breaking and entering...
Re: THE BATTLEFIELD
also people are screaming now. ]
Re: THE BATTLEFIELD
Maybe he should have taken into account people would be panicking though, whoops. ]
-- Excuse me!
Re: THE BATTLEFIELD
Re: THE BATTLEFIELD
Re: THE BATTLEFIELD
Re: THE BATTLEFIELD
Re: THE BATTLEFIELD
's funny; I didn't see it ending this way...
[ and then he staggers for the last time, and falls face-first to the ground, knives falling from his nerveless fingers. ]
Re: THE BATTLEFIELD
[Griffin kicks him for good measure.]
You.
Re: THE BATTLEFIELD
...may you be better in your next lifetime.
Re: THE BATTLEFIELD
...A pity. He surely would have lasted longer, if he were not so sorely outnumbered.
[ a pause; then, turning to Ǵ̷͟ŕ̢͢i̕͟f͘҉̵͜f̢́í̷́n̷̨̧̨ ] "Flower Mom," really?
—In any event, can you give us a few more details on what's going on here? As well as what name we should be calling you right now.
Re: THE BATTLEFIELD
[He taps the big mansion doors,]
The head honcho the army's looking to take out is holed up in there - along with all the other survivors in the city. Seems like he's using'em as meat shields.
Sounds like a piece of shit, but. We can't let everyone else meet the same fate as the poor fucks out in the field.
Re: THE BATTLEFIELD
Re: THE BATTLEFIELD
people come pouring out, some making a mad dash past you, others looking around uncertainly. some are children or infirm. there's one man calling after them, leaning on the door frame, at the end. ]
Re: THE BATTLEFIELD
Re: THE BATTLEFIELD
Re: THE BATTLEFIELD
Re: THE BATTLEFIELD
Re: THE BATTLEFIELD
Re: THE BATTLEFIELD
Re: THE BATTLEFIELD
Re: THE BATTLEFIELD
Re: THE BATTLEFIELD
Re: THE BATTLEFIELD
Re: THE BATTLEFIELD
Re: THE BATTLEFIELD
"Amakura" will do for me—it is my family name.
And I agree. The way that man fought... he was some sort of exalt; he'd easily have slaughtered the lot of them, had you not struck back.
Re: THE BATTLEFIELD
Re: THE BATTLEFIELD
Re: THE BATTLEFIELD
Re: THE BATTLEFIELD
Re: THE BATTLEFIELD
Re: THE BATTLEFIELD
Re: THE BATTLEFIELD
Re: THE BATTLEFIELD
Re: THE BATTLEFIELD
exalted characters just talk like this.
why...
Re: why...
Re: why...
Re: why...
Re: why...
Re: why...
Re: why...