Entry tags:
princess maker - Taisho Roman Revolution
[ When you insert the key and open the door, you'll find the room inside looks like the living room of a mansion. There are several doors, but one in particular stands out to you: it is ornately decorated, the very door's wood itself carved beautifully with gold etched in to make luxurious patterns depicting what looks like the sky and the wind blowing through the grasslands. Though the door is closed, you can see through it—as if it's somewhat transparent.
The room is painted baby blue and a gold-plated cradle sits in the room. Inside, a baby cries - high pitched and noisy, though immediately a nurse comes in to rock the child back to sleep. ]
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[ Slowly, the scene changes, fading in and out with various silent scenes—the baby sits up, trying to climb out of her cradle; a little toddler dressed prettily with expensive clothes beams pleasantly; a tantrum, thrown by the little girl who's distressed; the little girl holding a puppy, pleased as punch; then the wall becomes opaque. ]
[ In the middle of the open doorway, a young girl the age of 10 sits on a chair, smiling at you. a golden retriever is curled up beside her.
This is your little girl. you couldn't help spoiling her, honestly - after all, she's a noble too, and she should like to become a princess as well. She deserves it! But you also know, with how your history's gone, she's going to have to work to get to the top. Still, you have faith in her - she's your girl, after all. ]
The room is painted baby blue and a gold-plated cradle sits in the room. Inside, a baby cries - high pitched and noisy, though immediately a nurse comes in to rock the child back to sleep. ]
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[ Slowly, the scene changes, fading in and out with various silent scenes—the baby sits up, trying to climb out of her cradle; a little toddler dressed prettily with expensive clothes beams pleasantly; a tantrum, thrown by the little girl who's distressed; the little girl holding a puppy, pleased as punch; then the wall becomes opaque. ]
[ In the middle of the open doorway, a young girl the age of 10 sits on a chair, smiling at you. a golden retriever is curled up beside her.
This is your little girl. you couldn't help spoiling her, honestly - after all, she's a noble too, and she should like to become a princess as well. She deserves it! But you also know, with how your history's gone, she's going to have to work to get to the top. Still, you have faith in her - she's your girl, after all. ]

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I don't really care either way? But I think that means I wouldn't be a good wife.
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Hardly. You are creative, charming, and already highly accomplished--any of these suitors would be lucky indeed to be wed to you.
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[ sounds pretty disinterested, though ]
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[ may have made a jerking off motion somewhere in there but it was quick and that could have been anything. maybe it was just a meaningless gesture. probably she wouldn't understand anyway, righ, ]
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Is that true?
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We'll have to turn them all down gently, but beyond that, if she's determined to marry the prince no matter what he turns out to be like, then we also shouldn't build up those romantic expectations of marriage. I'd like her to find love as well, but that needn't come hand in hand.
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...What was that you did?
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Nevertheless, marriage is firstly a political tool. You'd like to marry the prince because doing so would give you the standing of a princess, yes? Even outside the royal family, most marriage follows that sort of logic. These families would like to combine their resources, those would like to forcibly settle an old feud, and so on.
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uwa. ]
You didn't answer my question.
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[ waves a hand, and then ruffles her hair ]
That one was particularly disapproving, since I find those sorts of men distasteful.
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So I should marry to get something out of it? Won't I lose that thing if my husband doesn't like me?
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