The sheaf of pages is written in slightly childish script, with marginalia doodles accompanying its content as if to illustrate. Reading it gives a warm, hopeful feeling.
The book with no title (cw: war violence) is strangely heavy, for its size. Also, when he opens it, there is the strange sensation of receiving the emotions associated with the memory as an impression, albeit not a vivid one.
...and also, there's a quiet clatter, and out of the corner of your hearing, you think you hear a childlike giggle and the pitter-patter of footsteps. But if you turn to look—there's no one there.
[WHY ARE HIS EMOTIONS DOING THINGS WITHOUT HIS PERMISSION AGAIN!!! This is uncomfortable. Also he doesn't understand any of this. ALSO SOMEBODY WAS THERE AND NOW THEY AREN'T? This is so much.
This is so much he's just going to put the books back on the shelves and go to a different section. Maybe Essays will make more sense.]
The sheaf of pages is written in slightly childish script, with marginalia doodles accompanying its content as if to illustrate. Reading it gives a warm, hopeful feeling.
The sheaf of pages is written in slightly childish script, with marginalia doodles accompanying its content as if to illustrate. Reading it gives a warm, hopeful feeling.
The sheaf of pages is written in slightly childish script, with marginalia doodles accompanying its content as if to illustrate. Reading it gives a warm, hopeful feeling; it doesn't seem to be a memory, specifically.
PRIMARY SOURCES: MID-TO-LATE 19TH CENTURY
You enter the section for mid 20th century records. The following books stand out—
You can read one, or return to the primary sources hub.
CHANGES
Re: PRIMARY SOURCES: MID-TO-LATE 19TH CENTURY
Let's check out the sheaf of pages and book with no title, because the ones with actual titles mean very little to him.]
Re: PRIMARY SOURCES: MID-TO-LATE 19TH CENTURY
The book with no title (cw: war violence) is strangely heavy, for its size. Also, when he opens it, there is the strange sensation of receiving the emotions associated with the memory as an impression, albeit not a vivid one.
...and also, there's a quiet clatter, and out of the corner of your hearing, you think you hear a childlike giggle and the pitter-patter of footsteps. But if you turn to look—there's no one there.
Re: PRIMARY SOURCES: MID-TO-LATE 19TH CENTURY
This is so much he's just going to put the books back on the shelves and go to a different section. Maybe Essays will make more sense.]
Re: PRIMARY SOURCES: MID-TO-LATE 19TH CENTURY
Re: PRIMARY SOURCES: MID-TO-LATE 19TH CENTURY
Re: PRIMARY SOURCES: MID-TO-LATE 19TH CENTURY
Re: PRIMARY SOURCES: MID-TO-LATE 19TH CENTURY
Influence of Gender Equality Norms on Childhood Aspirations, Late 19th Cen is odd in that it feels like, when you open the volume, that you are there, watching, though not entirely immersed in it; you can feel impressions of what it would have felt like, though. The same thing happens with Power Struggles in Qing Dynasty China, Mid 19th Cen and the unlabeled book.
Re: PRIMARY SOURCES: MID-TO-LATE 19TH CENTURY
Well. How about some other books.]
Re: PRIMARY SOURCES: MID-TO-LATE 19TH CENTURY
Re: PRIMARY SOURCES: MID-TO-LATE 19TH CENTURY
Influence of Gender Equality Norms on Childhood Aspirations, Late 19th Cen feels like, when you open the volume, that you are there, watching, though not entirely immersed in it; you can feel impressions of what it would have felt like, though. The same thing happens with Power Struggles in Qing Dynasty China, Mid 19th Cen and the unlabeled book.
Re: PRIMARY SOURCES: MID-TO-LATE 19TH CENTURY
Re: PRIMARY SOURCES: MID-TO-LATE 19TH CENTURY
As for the rest: you know the drill. Influence of Gender Equality Norms on Childhood Aspirations, Late 19th Cen like always, feels like being there watching, though not entirely immersed in it; you can feel impressions of what it would have felt like, though. The same thing happens with Power Struggles in Qing Dynasty China, Mid 19th Cen and the unlabeled book.
Re: PRIMARY SOURCES: MID-TO-LATE 19TH CENTURY
Off to the essays section!]