You find yourself, very abruptly, in a library, standing on solid ground; the levels go high, and the corridors far; you are quite certain you could get lost in this place. It might go on forever.
A scratching sound of pen on paper catches your notice; there's a woman working at the front desk. Oh, doesn't she look familiar? Hope looks up from the desk, which curiously has the nameplate "Professor"; she pushes her glasses up her nose as you approach, anticipating questions.
This room somehow manages to look like it fits in with the rest of the slightly antique library; the computers are a little dated, if you're familiar with modern items—the kind of clunky, grey boxes you got in the 90s, with a simple menu.
It's easy enough to figure out that you can look up references by searching for particular words, though. Would you like to enter a search term? A singular uncommon word will probably get you best results.
You find yourself in a comfortable lounge that has a number of long tables for group work as well as some solo writing desks. There are also plush armchairs clustered around side tables. It seems like a great place to discuss your assignment, right?
You find your way to the section labeled "Emotion." Some of the books here look potentially relevant—
Agape
Love
Joy
Grief
Anger
Hatred
Guilt
Shame
Hope
In the middle of the room are a couple couches for reading, and a side table. The side table has a vase that contains a handful of stems of standing clematis.
You enter the section labeled "Retrospectives, Third-Party," which seems to contain outside perspectives on relevant people and events. The following volumes catch your eye—
Testimonials: Samantha Moon
Testimonials: Iris Virga
Testimonials: Sashay Silfda Eistria AAA Absolute Dagger Zero Slaughtervodka, Resounding Aria of Dawn
RULES
SIGN IN HERE
But only for a moment.
Nyx | sIV
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Izanagi | sIV
Re: Izanagi | sIV
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THE LIBRARY
A scratching sound of pen on paper catches your notice; there's a woman working at the front desk. Oh, doesn't she look familiar? Hope looks up from the desk, which curiously has the nameplate "Professor"; she pushes her glasses up her nose as you approach, anticipating questions.
From here, there are also labeled hallways to the Computer Center and Writing Lounge; there is also the main hallway that leads to the stacks.
CHANGES
TALK TO THE PROFESSOR
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THE STACKS
You find the following sections ahead of you:
Where would you like to go?
PRIMARY SOURCES
You find yourself in the Primary Sources section—which seems to be divided into the below subsections.
On a sideboard table, there is a vase with an elaborate blue china pattern containing a bouquet of vervain.
Re: PRIMARY SOURCES
He's pausing here to check out the vase.]
Re: PRIMARY SOURCES
Re: PRIMARY SOURCES
Re: PRIMARY SOURCES
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PRIMARY SOURCES: MID-TO-LATE 19TH CENTURY
You enter the section for mid 20th century records. The following books stand out—
You can read one, or return to the primary sources hub.
CHANGES
Re: PRIMARY SOURCES: MID-TO-LATE 19TH CENTURY
Let's check out the sheaf of pages and book with no title, because the ones with actual titles mean very little to him.]
Re: PRIMARY SOURCES: MID-TO-LATE 19TH CENTURY
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Re: PRIMARY SOURCES: MID-TO-LATE 19TH CENTURY
PRIMARY SOURCES: LATE 19TH CENTURY
You enter the section for late 19th century records. The following books stand out—
You can read one, or return to the primary sources hub.
CHANGES
Re: PRIMARY SOURCES: LATE 19TH CENTURY
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PRIMARY SOURCES: EARLY 20TH CENTURY
You enter the section for early-to-mid 20th century records. The following books stand out—
You can read one, or return to the primary sources hub.
CHANGES
Re: PRIMARY SOURCES: EARLY 20TH CENTURY
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Re: PRIMARY SOURCES: EARLY 20TH CENTURY
PRIMARY SOURCES: MID 20TH CENTURY
You enter the section for mid 20th century records. The following books stand out—
You can read one, or return to the primary sources hub.
CHANGES
Re: PRIMARY SOURCES: MID 20TH CENTURY
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Re: PRIMARY SOURCES: MID 20TH CENTURY
PRIMARY SOURCES: LATE 20TH CENTURY TO EARLY 21ST CENTURY
You enter the section for early 21st century records. The following books stand out—
You can read one, or return to the primary sources hub.
CHANGES
Re: PRIMARY SOURCES: LATE 20TH CENTURY TO EARLY 21ST CENTURY
Re: PRIMARY SOURCES: LATE 20TH CENTURY TO EARLY 21ST CENTURY
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Re: PRIMARY SOURCES: LATE 20TH CENTURY TO EARLY 21ST CENTURY
Re: PRIMARY SOURCES: LATE 20TH CENTURY TO EARLY 21ST CENTURY
COMPUTER CENTER
It's easy enough to figure out that you can look up references by searching for particular words, though. Would you like to enter a search term? A singular uncommon word will probably get you best results.
CHANGES
Re: CHANGES
WRITING LOUNGE
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EMOTION
You find your way to the section labeled "Emotion." Some of the books here look potentially relevant—
In the middle of the room are a couple couches for reading, and a side table. The side table has a vase that contains a handful of stems of standing clematis.
CHANGES
THERE'S A WOMAN HERE
JUST KIDDING THE WOMAN IS THIS WOMAN NOW
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ESSAY
You enter the section marked "Essay." There's an unoccupied writing desk here amid the shelves. A few tomes stand out as potentially useful:
CHANGES
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A WOMAN??
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Re: ESSAY
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RETROSPECTIVES, THIRD-PARTY
You enter the section labeled "Retrospectives, Third-Party," which seems to contain outside perspectives on relevant people and events. The following volumes catch your eye—
CHANGES
Re: RETROSPECTIVES, THIRD-PARTY
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