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Persephone's ideal world session 1
In the flicker of a candle-flame, in the stir of still water, in the fluttering of flower petals, there is a voice.
Once, there was a maiden...
...who was the living embodiment of everything right in the world.
While she lived, no real harm could come to anyone. Oh, wounds, disease, even death, sure. But she stood between the world and anything worse.
"Except," she said, "I'm going to die." And no one listened.
"I'm going to die tomorrow," she said. And no one heard.
Into the silence, she said: "There's always an ending, after all."

Once, there was a maiden...
...who was the living embodiment of everything right in the world.
While she lived, no real harm could come to anyone. Oh, wounds, disease, even death, sure. But she stood between the world and anything worse.
"Except," she said, "I'm going to die." And no one listened.
"I'm going to die tomorrow," she said. And no one heard.
Into the silence, she said: "There's always an ending, after all."


Instructions
Once, there was a maiden...
...who lived in a tomb, and the tomb was made in her image.
Because she lived in a tomb, she became like the dead.
She slept, and dreamed.
And sometimes, woke, and walked within the confines of her tomb.
"Why do you move?" her own ghost asked. "Why walk at all?"
"I am not trapped while yet I run," said she.
Wake Persephone from his dream. Convince him to return to reality.
OOC Information
No powers, whether imeeji or canon ones, function while in Persephone's ideal world.
You can have whatever items you would have on you, except weapons. Technological items don't function, except for the phone, which only displays the instructions.
Weapons can either just be Not Here and return to your possession after leaving the ideal world or they can turn into a flower of your choice and turn back on leaving the ideal world.
Any character who identifies as male primarily and is 1) physically over the age of 20 or 2) identifies as/considers himself an adult temporarily physically deages to being a youth (so, physically a teenager). This is physical only and temporary, it reverses on leaving the ideal world. Basically the idea is "No Men in Persephone's ideal world".
If you are in the same location as other characters, you can talk to them.
Please do, it would amuse me.in the garden: start
In addition to the flowers, in the garden is a large pond: very still, very mirrorlike. There is also a tall, slender youth with long pale hair and purple eyes with constellations in them, here too. He is resting among the flowers, as if he is waiting for someone, though he has bit of a harried body language, too.
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...this is beautiful, but—where am I?
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start: Amaranth
She checks for her weapon immediately (because of course she does); can't even bring herself to be mad when she finds it exchanged a sheaf of rice.
—And then she approaches the youth immediately. ]
Please say that my son is not dreaming the very same dream as before.
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And then he approaches the slightly bothered youth.]
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...Well, shit, someone from back home. I should shake down Lark for a fucking list some time.
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katabasis: the wisteria maze
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well. she's going to try and follow that small shape, she she spots it. ]
Um—hello?
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Following the map!]
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He won't follow the shape when he spots it, but he does stop.]
Uh...hello?
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She doesn't stray from the path—not yet, at least.
But she pauses in place when she sees the small figure out of the corner of her eye: waiting to see if they'll react to the song. ]
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Events (don't worry about it)
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this one goes underground.
#5
Eirene and Valor will find themselves immediately transported to the path of sacrifice.]
Shrine
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but also she's just gonna beeline to find the maiden's room. ]
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house
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(She frowns a bit, though, at the sight of the pool: an easy guess what her son keeps down in those depths.)
Regardless, she gives the door a little push to see if it will open. ]
—Hello?
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katabasis: the path of sacrifice
the entire path is lined with thorns.]
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Hey, at least a certain Avante isn't in this ideal world, right? That might be awkward.]
[edit: yes, he has shoes. ... so curious why this is important.]
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1/2, nested
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