Entry tags:
Shrike's Heart (#2)
It's not quite a happy smile.
"I'm sorry," she says. "There's just nothing I can do, as things are. But the way is there; it just needs to be lit."
You open your mouth—maybe to say something, or to express confusion—but you have to cough, and taste something metallic, spattering black blood onto the ground in front of you. Then you realize—blood seeps from opening wounds in your arms, your chest, your stomach, your face. It rims your eyes and trails from your nose and you feel like you're dissolving—
—and you fall through the ground like it's the surface of a lake, and go down, down, down.
> Wake Up

THE RUINED TOWN
...falling forever in the water. She reached for purchase, but found nothing; her arms swung through the sea.
The water did not slow her, nor the chill,
but she could not breathe.
Each time she gasped and found no breath, a human child died; and thus, she lived.
[ As you go, the ground slowly grows marshier, softer, and smells creep in. They're ordinary earthen smells—peat and damp and marsh, but there's a hint of the metallic tang of blood, and the acrid note of smoke in the distance.
The clang of metal rings out to your ears as you emerge from a reed bed next to a small, algae-choked pond, but it's clear the bulk of the fighting has long been over, from the only intermittent cries and the way you can see thatched roofs smouldering.
Though, nearby, there's a rustle from the same reeds you came from—like you're not alone. ]
A PATH
And the same gold line unwinds from your feet, and into the fields beside the village, off into the distance. You don't have to follow it this very moment, but you can.
Proceed. ]
no subject
Who's there?
[She holds her sword at the ready at the clang of metal and the rustle of the reeds behind her. She turns around, determined.]
no subject
But eventually, you spot the source: there's a man lying in the reeds, dark-haired.
No—a man and a boy, though it's hard to make out the features of the youth bundled up in his arms, since his hair is slicked to his forehead with blood. The boy doesn't move, though the man's chest still rises and falls, with a soft wheezing nose. ]
no subject
It's okay! I'll- I'll try to help you.
[She had no medical supplies, but she had to do something.]
I can go for help!
[She wasn't sure whether or not it would be safe to leave them.]
no subject
You—please, whoever you are, have mercy... my brother...
no subject
I'm- I'm not going to hurt you.
[One of the objectives 'Do not accept mercy' comes to mind, but she's sure it has nothing to do with this.]
You'll both be okay, I promise. I'm here to help.
(no subject)
(no subject)
(no subject)
(no subject)
no subject
... I don't know how to fight, or anything like that, so - I can stay here, and watch them ...
no subject
[Great!]
We need to take them somewhere safe. I'll protect us if we run into trouble.
[She has a sword, even though she's more adept with guns. She'll figure it out somehow?!]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
What, ah... what happened here?
no subject
You, you're not—I don't know you. You didn't come with them...?
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
[He knows where this is going.]
[He steps forward, anyway.]
no subject
Who—who are you? Who are all of you?
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1/2
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
[ he's obviously unwell, but this is.
stepping forward, watching the others around him, she's not entirely sure what she could be doing - in lieu of any better ideas she kneels nearby, a hand extended towards the man's head. ]
Is there... um, is there anything that you need...?
no subject
I'm—I'm, fine. My brother—if you can get him out of here...
[ the brother is clearly dead. his chest doesn't rise and fall at all. ]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
Re: THE RUINED TOWN
[He sets his jaw, and steps toward the reeds.]
Re: THE RUINED TOWN
But what you encounter there is, in fact, what you would expect, which suggests a thing or two about what this is all about. ]
no subject
[Someone's here!]
We have to help them.
[Rising to her feet quickly to dash towards him.]
no subject
...yeah. Let's see what we can do.
[Keeping pace, right besode her]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
Re: THE RUINED TOWN
She turns around, regretting not bringing a weapon from the previous place. She only has a glare.]
Reveal yourself.
Re: THE RUINED TOWN
if you follow them, you see why whatever's in there doesn't respond. he's not doing great.
as a sidebar: doesn't this village look a little familiar? you're pretty sure you had a dream in this place once, too. but it wasn't your dream. ]
Re: THE RUINED TOWN
I-Is someone there - ?!
Re: THE RUINED TOWN