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[ You have fallen onto a noisy street. After all the cold, the silence, the cacophony of city sounds blankets your ears muffles that feeling of abandonment. The street is dirty, and neon all around you advertises: Gambling! Fight pits! Come get your money's worth, restaurants, bars. They demand attention, and you could walk into any one of them.
Or, you might notice the alley ways before you enter. On the ground there's bodies: chalk outlines around those twisted at strange angles. Like crime scene photos, but you know how you got here. And if you look at the bodies too long, you can see the echo: shadows that are pale rather than darker, of missing wings upon their back.
The crowds on the street take no notice of you, or those bodies. ]
Or, you might notice the alley ways before you enter. On the ground there's bodies: chalk outlines around those twisted at strange angles. Like crime scene photos, but you know how you got here. And if you look at the bodies too long, you can see the echo: shadows that are pale rather than darker, of missing wings upon their back.
The crowds on the street take no notice of you, or those bodies. ]

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maybe this was a bad idea]
W. . . what is this. . .?
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[Doing a quick headcount]
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––Seriously, what the hell?!
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In hell.
[carefully letting her go]
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Outside? Hell? Didn't everyone say we were already in hell?
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he blinks when he notices Silver]
Ah, you came too.
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[at first he isn't bothered much, then a couple of things click into place]
--Shit! That means Haruto's alone.
[looks back up, only just NOW trying to gauge how long it would take them to get back]
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What the hell...
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I don't like this place.
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A Bar
Inside there's a television going— not your program, by the way. It's some senseless action-tragedy-melodrama-ultraviolence, like what you get when you try to purchase color era films in Tokyo-F.
No one takes much notice of the blood on Aries or the bug, though the bartender looks up when the door opens like he's preparing to dive down. He decides, instead, to keep polishing. There's a few people in here in this hour of eternal night, one at a dartboard, a group of them all arguing— philosophy? And making animated death threats over a disagreement regarding Sartre. The music is upbeat, and the atmosphere seems jovial.
Except when you blink and looking at the group having the disagreement, you can pick out who is human in the bunch— their death wounds back on their bodies, and the bar showing all the damage it's suffered over the years— it's scorched, as if burned out at the same time you see the modern building. The television roars static but if you try and focus it slides away and the movie is back again. The building slides between the two points, fixed firmly neither in the present nor in the time of the wrongs done to it.
It's particularly bad for Aries, weakened from blood loss. You don't have the power to fix your perception of this place to a singular point in time, as it loops its traumas back at you. ]
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What's wrong with Aries? Talon said he's hurt?
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"You're a traitor to the whole paradigm, to take it seriously! Look, did you even read Being and Nothingness?!"
"Read it, nothing, I've got the thesis memorized! But do you know jack shit about his life? Look, after all that shit he went out and he was politically active and if it was good enough for Sartre it's good enough for me!"
"Then he was a traitor too! I'm here about the ideas, who cares about the man!"
The argument seems really stupid. The rest of the people at the table are basically popcorn.gifing. They're also demons, making comments to egg one or the other on. Maybe they're hoping they'll stab each other (again?). When reality wavers, the one being called a traitor has a few of those. ]
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How is he doing?
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In his hand he just crushes the bug a little bit, not enough to kill it, just enough to feel legs and exoskeleton cracking]
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Oi––you okay? Silver said. . . shit, stupid question, uh, and stupid to question, and. . .
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